Thursday, March 11, 2010

THE PORTRAYAL OF CRIME AND JUSTICE IN THE COMIC BOOK SUPERHERO MYTHOS* by Scott Vollum Cary D. Adkinson

Good critical evaluation of Batman through the lens of criminology:

ABSTRACT

This article examines the representation of crime and justice in the worlds and lives of two of the most popular and pervasive comic book superheroes: Batman and Superman. The messages conveyed in the stories of these two superheroes are identified and discussed in relation to three different contexts: (1) the structure of the society in which the superhero resides, (2) the crimeand criminals they come up against, and (3) the crime-fighting superheroes themselves. The perspectives of crime and justice conveyed by the predominant images and messages are then examined in accordance with Sutherland’s tripartite framework of criminological inquiry: The representation of law, the breaking of law, and the reaction to the breaking of law are considered. Finally, the hegemonic messages implicit in the comic book superhero mythos are discussed.


These two heroes epitomize this apparent cultural paradox in distinct ways that have been constructed through their respective mythologies. With his immigrant beginnings, patriotic red and blue costume, almost unlimited super powers, and unwavering commitment to "truth, justice, and the American way" Superman represents the hope and idealism of post-Depression America. Batman, however, offers a much more realistic construction. Born of violence, Batman adopts the mantle of the bat to strike fear into street criminals like the one who murdered his parents. His dark gray and black costume, his reliance on technology, and his willingness to resort to violence to accomplish his ends suggest that the new face of crime in post-Depression America necessitates a more retributive, street level form of justice. By adhering to common themes of the hero mythology while offering distinct interpretations of American culture and the nature of crime in the wake of the Great Depression, Superman and Batman, respectively, epitomize both the idealism of justice and the realism of urban crime. Although both Superman and Batman have evolved along with the American cultural landscape over their more than 60 years of existence, their central characterizations have remained largely intact; and, both have remained rooted firmly in the times in which they were created—post-Depression America.

URL = http://www.albany.edu/scj/jcjpc/vol10is2/vollum.html

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